As the year comes to a close, we are encouraged to come up with resolutions that will help us to straighten up and fly right in the new year. I'm afraid that my resolutions are the usual prosaic suspects: fewer words are better (i.e., don't add to the cacophony); simpler is better; kindness is better. All of which will be broken within the next 15 minutes or so.
But here is one that I hope might have a longer duration: pay closer attention. The following poem by Ian Hamilton Finlay (1925-2006) provides a good start.
Green Waters
Green Waters
Blue Spray
Grayfish
Anna T
Karen B
Netta Croan
Constant Star
Daystar
Starwood
Starlit Waters
Moonlit Waters
Drift
Ian Hamilton Finlay, in The Bloodaxe Book of 20th Century Poetry (Edna Longley, editor) (2000).
Richard Eurich, "Dorset Cove" (1939)
Some Preliminary Definitions
Your life:
A collection of facts;
A succession of desires;
A whirl of thoughts.
Your death:
Abiding;
Unfathomable.
The world around you:
An intractable paradise.
sip
Richard Eurich, "Coast Scene with Rainbow" (1952-1953)
Showing posts with label Edna Longley. Show all posts
Showing posts with label Edna Longley. Show all posts
Friday, December 30, 2011
Monday, April 18, 2011
"Let Us Go Home Across The Shires": W. S. Graham
My knowledge of the poetry of W. S. Graham (1918-1986) is limited to what I have encountered here and there in anthologies. I recently came across the following lovely poem by him.
The Stepping Stones
I have my yellow boots on to walk
Across the shires where I hide
Away from my true people and all
I can't put easily into my life.
So you will see I am stepping on
The stones between the runnels getting
Nowhere nowhere. It is almost
Embarrassing to be alive alone.
Take my hand and pull me over from
The last stone on to the moss and
The three celandines. Now my dear
Let us go home across the shires.
W. S. Graham, Collected Poems (Faber and Faber 1979).
I found the poem in The Bloodaxe Book of 20th Century Poetry (Bloodaxe Books 2000), which is edited by Edna Longley. We owe a debt of gratitude to Longley for her work on the poetry and prose of Edward Thomas, which culminated in The Annotated Collected Poems of 2008. Her criticism is excellent, and may be found in Poetry and Posterity, Poetry in the Wars, and other volumes. She is the wife of Michael Longley, whose admiration for Edward Thomas is evident in his own poetry.
Richard Eurich, "The Road to Grassington" (1971)
The Stepping Stones
I have my yellow boots on to walk
Across the shires where I hide
Away from my true people and all
I can't put easily into my life.
So you will see I am stepping on
The stones between the runnels getting
Nowhere nowhere. It is almost
Embarrassing to be alive alone.
Take my hand and pull me over from
The last stone on to the moss and
The three celandines. Now my dear
Let us go home across the shires.
W. S. Graham, Collected Poems (Faber and Faber 1979).
I found the poem in The Bloodaxe Book of 20th Century Poetry (Bloodaxe Books 2000), which is edited by Edna Longley. We owe a debt of gratitude to Longley for her work on the poetry and prose of Edward Thomas, which culminated in The Annotated Collected Poems of 2008. Her criticism is excellent, and may be found in Poetry and Posterity, Poetry in the Wars, and other volumes. She is the wife of Michael Longley, whose admiration for Edward Thomas is evident in his own poetry.
Richard Eurich, "The Road to Grassington" (1971)
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