In my recent post on Edward Thomas's poem "October," I opined that the combination of beauty and melancholy is a common occurrence in his poetry. I also stated that "beauty was absolutely real for Thomas -- it was not a poetic conceit." In retrospect, I fear that those blithe pronouncements sound a bit high-falutin'. In order to partially atone for my sins, here is a poem by Thomas about . . . melancholy and beauty.
Beauty
What does it mean? Tired, angry, and ill at ease,
No man, woman, or child alive could please
Me now. And yet I almost dare to laugh
Because I sit and frame an epitaph --
'Here lies all that no one loved of him
And that loved no one.' Then in a trice that whim
Has wearied. But, though I am like a river
At fall of evening while it seems that never
Has the sun lighted it or warmed it, while
Cross breezes cut the surface to a file,
This heart, some fraction of me, happily
Floats through the window even now to a tree
Down in the misting, dim-lit, quiet vale,
Not like a pewit that returns to wail
For something it has lost, but like a dove
That slants unswerving to its home and love.
There I find my rest, and through the dusk air
Flies what yet lives in me. Beauty is there.
Martin Johnson Heade, "Newburyport Meadows" (c. 1876)
Showing posts with label Martin Johnson Heade. Show all posts
Showing posts with label Martin Johnson Heade. Show all posts
Saturday, October 16, 2010
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