Things to Come
The shadow of a fat man in the moonlight
Precedes me on the road down which I go;
And should I turn and run, he would pursue me:
This is the man whom I must get to know.
Stanley Roy Badmin (1906-1989)
"The Abbey Barn, Doulting, Somerset" (1930)
To put the following poem in context, it may be helpful to know that it was written by Reeves after the death of his wife Mary (1910-1966). He dedicated his Collected Poems to her.
To Not Love
One looked at life in the prince style, shunning pain.
Now one has seen too much not to fear more.
Apprehensive, it seems, for all one loves,
One asks only to not love, to not love.
Stanley Roy Badmin, "Fallen Mill Sails" (1931)
Bestiary
Happy the quick-eyed lizard that pursues
Its creviced zigzag race
Amid the epic ruins of a temple
Leaving no trace.
Happy the weasel in the moonlit churchyard
Twisting a vibrant thread
Of narrow life between the mounds that hide
The important dead.
Close to the complex fabric of their world
The small beasts live who shun
The spaces where the huge ones bellow, fight,
And snore in the sun.
How admirable the modest and the frugal,
The small, the neat, the furtive.
How troublesome the mammoths of the world,
Gross and assertive.
Happy should we live in the interstices
Of a declining age,
Even while the impudent masters of decision
Trample and rage.
Stanley Roy Badmin, "Priory Pond"
Precept
Dwell in some decent corner of your being,
Where plates are orderly set and talk is quiet,
Not in its devious crooked corridors
Nor in its halls of riot.




13 comments:
I read this post yesterday morning. Last night, in a biography of Edmund Blunden, I read that Blunden was at one point "seeing a lot of James Reeves." I would never have known, so thanks!
Jeannette: Thank you very much for visiting, and for leaving a comment.
That is a nice coincidence! As you can see from this blog, I am a great admirer of Edmund Blunden. Are you reading Barry Webb's biography?
By the way, Reeves wrote a poem about Blunden titled "On a Poet." I have been intending to include the poem in a post, but haven't got around to it. The first stanza is:
Having no Celtic bombast in his blood,
Nor dipsomaniac rage, nor very much
To give his time of what his time expected,
He saw his Muse, slight thing, by most neglected.
Thank you again.
Another connection is with Edward Ardizzone, who was a friend of Reeves and illustrated a lot of his work, especially his writings for children - but those Badmins fit the selection here perfectly. Thanks again for this endlessly rewarding blog.
Nige: As always, thank you for visiting, and for the extremely kind comment.
Thank you for the reference to the relationship between Reeves and Ardizzone - I neglected to mention Reeves's work in poetry for children, and I am glad that you corrected my omission.
I am pleased that you enjoyed the Badmins. The early to mid-20th century was a wonderful time for British engraving/etching (both in metal and wood), wasn't it?
Thank you again.
The wood engravers Gwen Raverat and Claire Leighton are of that period, very different in subject and style, but equally outstanding.
Ravenat helped to usher in that "wonderful time" when she and her husband founded the Society of Wood Engravers.
Rags and Paper: Thank you very much for visiting and commenting.
Yes, Raverat and Leighton are certainly wonderful engravers -- the 20th century was arguably (I am certainly not the first to make this observation) the 'golden age' of British wood engraving. (With all due respect to Thomas Berwick.) You may have noticed that I have previously included wood engravings by George Mackley and Joan Hassall in my posts.
The relationship between engravers and small fine presses in the U.K. has given us many beautiful books.
Thanks again for visiting and commenting.
The "Bestiary" is so true!
Its even better than "the sea"
Anonymous: Thank you for visiting and commenting. I'm pleased that you like 'Bestiary' -- as I say, Reeves's poetry deserves a wider audience, and it is gratifying to have people respond positively to it.
Thanks again.
Hi. I'm very curious about the meaning of the poem "The old wife and the ghost" by this great author. Have you had a read of it and have some suggestions?
Anonymous: thank you very much for visiting. I'm sorry, but I have not read that poem.
nice blog
nice blog, interesting poet, great pictures
Anonymous: thank you very much for visiting and commenting.
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