Hence (it now occurs to me): "First known when lost." (Again, courtesy of Edward Thomas.) As William Allingham writes: "Everything passes and vanishes;/Everything leaves its trace." A truism, yes. But true.
Elegies need not be sorrowful or mournful. They are simply another form of love-poetry.
Robin Tanner, "The Gamekeeper's Cottage" (1928)
In the Month of Athyr
I can just read the inscription on this ancient stone.
"Lo[r]d Jesus Christ." I make out a "So[u]l."
"In the mon[th] of Athyr" "Lefkio[s] went to sleep."
Where his age is mentioned -- "lived to the age of" --
the Kappa Zeta shows that he went to sleep a young man.
In the corroded part I see "Hi[m] . . . Alexandrian."
Then there are three badly mutilated lines --
though I can pick out a few words, like "our tea[r]s," "grief,"
then "tears" again, and "sorrow to [us] his [f]riends."
I think Lefkios must have been greatly loved.
In the month of Athyr Lefkios went to sleep.
C. P. Cavafy, Collected Poems (translated by Edmund Keeley and Philip Sherrard) (Princeton University Press 1975).
The brackets and ellipses appear in the original. Athyr (also known as "Hathor") was an ancient Egyptian goddess. "The month of Athyr/Hathor" corresponds to the period from November 10 through December 9 in our modern calendar. "Kappa" (line 5) is "twenty" in Greek; "Zeta" is "seven."
Robin Tanner, "Martin's Hovel" (1927)
The following poem has appeared here before. However, because it goes so well with Cavafy's poem, it is worth revisiting.
A Form of Epitaph
Name in block letters None that signified
Purpose of visit Barely ascertained
Reasons for persevering Hope -- or pride
Status before admission here Regained
Previous experience Nil, or records lost
Requirements Few in fact, not all unmet
Knowledge accumulated At a cost
Plans Vague Sworn declaration Not in debt
Evidence of departure Orthodox
Country of origin Stateless then, as now
Securities where held In one wood box
Address for future reference Below
Is further time desired? Not the clock's
Was permit of return petitioned? No
Laurence Whistler, Audible Silence (1961).
The novelty and humor of the fill-in-the-blanks structure used by Whistler tends to mask the fact that the poem is a well-wrought sonnet.
Robin Tanner, "Wren and Primroses" (1935)