This is why, when it comes to philosophers, I am fond of Ludwig Wittgenstein. Although his arcane explorations into the nature of language are way over my head, his approach to philosophy is refreshingly practical: "A philosophical problem always has the form: 'I simply don't know my way about'." Ludwig Wittgenstein, The Big Typescript: TS 213 (translated by C. Grant Luckhardt and Maximilian A. E. Aue) (Blackwell 2005), page 310.
And, surprisingly (given his sometimes dour and prickly personality), there is this: "Live happily!" Ludwig Wittgenstein, Notebooks, 1914-1916 (translated by G. E. M. Anscombe) (1961), pages 75 and 78.
Charles Ginner, "Novar Cottage, Bearley, Warwickshire" (1933)
Garramor Bay
Now the long wave unfolded falls from the West,
The sandbirds run upon twittering, twinkling feet:
Life is perilous, poised on the lip of a wave,
And the weed that lay yesterday here is clean gone.
O visitor, fugitive creature, thing of a tide,
Make music, my heart, before the long silence.
L. A. G. Strong, Northern Light (1930).
Charles Ginner, "The Rib, Standon" (1939)
How does one live happily? Perhaps by escaping Time.
"A man who is happy must have no fear. Not even in face of death.
Only a man who lives not in time but in the present is happy.
. . . . . . . . . .
If by eternity is understood not infinite temporal duration but non-temporality, then it can be said that a man lives eternally if he lives in the present.
. . . . . . . . . .
Whoever lives in the present lives without fear and hope.
. . . . . . . . . .
It seems one can't say anything more than: Live happily!"
Ludwig Wittgenstein, Notebooks, 1914-1916, pages 74-75, 76, 78.
In aphoristic statements such as these (which pop up suddenly throughout his work), Wittgenstein sounds like the Taoist and Buddhist sages who made essentially the same observations one or two millennia ago. The essential truths have always been present. Finding them -- and living them -- is another matter entirely. The work of a lifetime, never finished. One step forward and two steps back.
Charles Ginner, "The Old Paper Mill" (c. 1941)
The Instant
Where are the centuries, where is the dream
of sword-strife that the Tartars entertained,
where are the massive ramparts that they flattened?
Where is the wood of the Cross, the Tree of Adam?
The present is singular. It is memory
that sets up time. Both succession and error
come with the routine of the clock. A year
is no less vanity than is history.
Between dawn and nightfall is an abyss
of agonies, felicities, and cares.
The face that looks back from the wasted mirrors,
the mirrors of night, is not the same face.
The fleeting day is frail and is eternal:
expect no other Heaven, no other Hell.
Jorge Luis Borges (translated by Alastair Reid), in Jorge Luis Borges, Selected Poems (edited by Alexander Coleman) (Viking 1999).
Charles Ginner, "Church Farm, Shipley" (c. 1933)
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