William Wigley (1880-1943), "Mevagissey Quay, Cornwall"
I do reserve the right to make rare (extremely rare) and wholly arbitrary exceptions. Thus, I shall give Derek Mahon a pass on the following poem.
'I caught four soles this morning'
said the man with the beard;
cloud shifted and a sun-
shaft pierced the sea.
Fisher of soles, did you reflect
the water you walked on
contains so very many souls,
the living and the dead,
you could never begin to count them?
Somewhere a god waits,
rod in hand,
to add you to their number.
Derek Mahon, Poems 1962-1978 (Oxford University Press 1979).
As a child 50-odd years ago in Scandinavian, Lutheran Minnesota, I attended what was called "Sunday school." Every so often we would sing, as a group, a song called "I Will Make You Fishers Of Men." As we sang, we made casting and reeling-in motions with our arms and hands. I offer this simply as a random recollection of a lost world, not in the service of any message or creed.
William Peters Vannet, "Arbroath Harbour" (c. 1940)
"Soles" puts me in mind of this:
Fisherman and/or Fish
There was a time when I,
The river's least adept,
Eagerly leapt, leapt
To the barbed, flirtatious fly.
Thrills all along the line,
A tail thrashing -- the sport
Enthralled: but which was caught,
Which reeled the other in?
Anglers aver they angle
For love of the fish they play
(Arched spine and glazing eye,
A gasping on the shingle).
I've risen from safe pools
And gulped hook line and sinker
(Oh, the soft merciless fingers
Fumbling at my gills!)
Let last time be the last time
For me with net or gaff.
I've had more than enough
Of this too thrilling pastime.
The river's veteran, I
Shall flick my rod, my fin,
Where nothing can drag me in
Nor land me high and dry.
C. Day Lewis, The Gate and Other Poems (1962).
C. Day Lewis is usually lumped together with W. H. Auden, Louis MacNeice, and Stephen Spender as one of the "Thirties Poets." I prefer the more personal lyrical poetry of his later years. His earlier poetry has a political cast (no pun intended!) that I find boring.
But I am one of those who believes that "political poetry" is an oxymoron. Hence, for example, a phrase such as "the poetry of witness" gives me the willies. (And makes me want to immediately immerse myself in the poetry of, say, Ernest Dowson or Philip Larkin or Emily Bronte.) But to each their own. We all have our own peculiar axes to grind and oxen to gore.
Richard Eurich, "Coast Scene with a Rainbow" (1952)