Three Variations On A Theme, And An Echo

Robert Louis Stevenson suffered from ill-health for much of his short life. Nevertheless, he usually remained in good spirits.  But he knew what he was up against.  Thus, it is not surprising that, on more than one occasion, he composed his own poetic epitaph.  He wrote the following untitled poem in 1879, at the age of 29.

Now when the number of my years
     Is all fulfilled, and I
     From sedentary life
     Shall rouse me up to die,
          Bury me low and let me lie
          Under the wide and starry sky.
          Joying to live, I joyed to die,
          Bury me low and let me lie.

Clear was my soul, my deeds were free,
     Honour was called my name,
     I fell not back from fear
     Nor followed after fame.
          Bury me low and let me lie
          Under the wide and starry sky.
          Joying to live, I joyed to die,
          Bury me low and let me lie.

Bury me low in valleys green
     And where the milder breeze
     Blows fresh along the stream,
     Sings roundly in the trees --
          Bury me low and let me lie
          Under the wide and starry sky.
          Joying to live, I joyed to die,
          Bury me low and let me lie.

George Hellman (editor), Poems by Robert Louis Stevenson Hitherto Unpublished (1916).

Harry van der Weyden, "Cliff End, Studland, Dorset" (1909)

The poem sounds vaguely familiar.  Eventually -- over a period of eight years -- it was transformed into what is perhaps Stevenson's best-known poem.

                 Requiem

Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live and gladly die,
     And I laid me down with a will.

This be the verse you grave for me:
Here he lies where he longed to be;
Home is the sailor, home from sea,
     And the hunter home from the hill.

Robert Louis Stevenson, Underwoods (1887).

Another instance of less being more.

John William Inchbold, "Anstey's Cove, Devon" (1854)

"Requiem" took on an interesting afterlife in the hands of A. E. Housman. At first thought, one might not think of Housman and Stevenson as kindred spirits.  But there is a sort of Housman feel to "Requiem," don't you think?  It wouldn't seem out of place in A Shropshire Lad.

Stevenson died in Samoa on December 3, 1894.  On December 22, 1894, the following poem by Housman was published in the weekly issue of the The Academy above an obituary for Stevenson.

                       R. L. S.

Home is the sailor, home from sea:
     Her far-borne canvas furled,
The ship pours shining on the quay
     The plunder of the world.

Home is the hunter from the hill:
     Fast in the boundless snare
All flesh lies taken at his will
     And every fowl of air.

'Tis evening on the moorland free,
     The starlit wave is still:
Home is the sailor from the sea,
     The hunter from the hill.

A. E. Housman, The Academy, No. 1181 (December 22, 1894).

Peter Graham, "Along the Cliffs" (1868)

In closing, a modern footnote courtesy of Philip Larkin.  Larkin's most famous (or, perhaps, infamous) poem begins with a line about one's "mum and dad" which, out of delicacy, I will not quote here.  Larkin knew English poetry inside-out, and had a delightful sense of humor.  The title of his poem?  "This Be the Verse."  Yet another reason to love Larkin.

John Everett (1876-1949), "Worbarrow Bay, Dorset"